Jonas Höschl is a conceptual artist and photographer. For his artistic work, which encompasses printmaking, sound, video, and installation, he has received the Paula Modersohn-Becker Art Prize, the Bavarian Art Promotion Prize for Fine Arts, and the German Photobook Prize, among others. He has published the art books Fade Away Medley (Das Wetter), Politics of Media Images (Hatje Cantz), and most recently 80 Portraits: 73 Men, 7 Women (Verlag für moderne Kunst).

  1. Why are you crying?

    2024
    Ausstellungsansichten @ Nebyula (Various Others Festival), München, 2024 // Fotografie Dirk Tacke
  2. SSSSSSuzuki

    2024
    Ausstellungsansichten "Point of No Return" @ Galerie Anton Janizewski, 2025 // Fotografie Julian Blum
    Moviestill "SSSSSSuzuki", 03:35 min, 2023

    Concept by Jonas Höschl

    Music written and produced by Florida Juicy

    Edited by Ruth Glas

    Lyrics from the Song „Point Of No Return“ by Gene McDaniels (Scorpio Rising, 1963)

  3. Zum Schäfchen, Recherche Nord (POV)

    2026
    Exhibition View "Antifascism: Now" @ Lothringer 13 Halle, Munich // Photos by Christian Kain
    Moviestill "Zum Schäfchen, Recherche Nord (POV)", 25:50 min, 2026

    “Zum Schäfchen, Recherche Nord (POV)” (2026) is a multimedia installation by Jonas Höschl that reflects on the working conditions of the anti-fascist journalist collective Recherche Nord. The starting point is body cam footage of two attacks by the right-wing extremist publicist Götz Kubitschek in front of the restaurant “Zum Schäfchen” in Schnellroda, Saxony-Anhalt, a central meeting place for the New Right. The artist superimposes these and makes them spatially tangible through color-coded floor markings and wooden displays. At the center of the installation, two screens show the point-of-view video footage of the attacked photographer. The spatial situation places the viewers in a constant shib between the perspective of a victim and that of a neutral observer. This raises fundamental questions about the authenticity of documentary material and its contextualization.

  4. Europe is lost

    2018
    Europe is lost @ EIGEN + ART Lab, Berlin, 2022 // Exhibition view by Peter Wolff
    Europe is lost @ EIGEN + ART Lab, Berlin, 2022 // Exhibition view by Peter Wolff
    Europe is lost @ EIGEN + ART Lab, Berlin, 2022 // Exhibition view by Peter Wolff

    "Europe is lost (...) leaves an oppressive feeling. One photo shows a man whose face is completely masked, another wears dark sunglasses and smokes.", from the article "Nie wieder!" by Amelie Völker in the Süddeutsche Zeitung, July 05, 2020

    Europe is lost @ EIGEN + ART Lab, Berlin, 2022 // Exhibition view by Peter Wolff
    Woodcut series of 10 parts, edition 1/10, 50 x 70 cm
    Europe is lost @ EIGEN + ART Lab, Berlin, 2022 // Exhibition view by Peter Wolff
    Video & Soundpiece, 06:24 min
    Viewing link for video & soundpiece on request